Mary Shelleys Frankenstein Essay -- Frankenstein Shelley Essays

Mary Shelleys FrankensteinIn order to lucubrate the main theme of her novel Frankenstein, Mary Shelly draws strongly on the all(a)egory of Prometheus, as the subtitle The Modern Prometheus indicates. Maurice Hindle, in his critical study of the novel, suggests, the principal(a) theme of Frankenstein is what happens to human sympathies and relationships when men render obsessively to satisfy their Promethean longings to enchant the unknown - supposedly in the service of their fellow-humans. This assertion is discussed by rootage describing the Promethean connection. Thereafter, the two forms of the invention, Prometheus the antiaircraft gun-stealer and Prometheus the life-giver are reviewed in the context of Shellys use of the myth in her novel and their relationship to the main theme. Finally, the character of Frankenstein as a modern Prometheus of the scientific age is discussed in the context of English romanticist literature. This Promethean longing mentioned by Hundle, i s the connection between Victor Frankenstein and Robert Walton. They both seek to gain knowledge of the unknown. Victor Frankensteins obsession with occult scientific knowledge results in the destruction of his family and friends, whilst Walton, the narrator of the story, causes many deaths by his obsessive journey to the North Pole. Shellys use of the Prometheus myth combines the two magnetic declinations of the legend, Prometheus the fire-stealer and Prometheus the life-giver. match to the Ancient Greeks, in the first var. of the myth, the Titan, Prometheus, in rebellion against Zeus, took fire from the sun and gave it to humankind to warm them and enable them to make tools and weapons, thereby allowing them to cram above other animals. Zeus was incensed by Prometheus disobedience, and as punishment, legitimate Prometheus chained to a rock, where his liver was eaten by eagles all(prenominal) day and restored each night so that his torment could be prolonged for eternity. The second, Roman version of the myth, comes from Ovids Metamorphoses, which, according to Newey (1993), Mary Shelly read in 1815. In this version Prometheus was the Creator who made man from clay and breathed life into him. This relates in a flash to the quotation on the title page of Shellys book.Did I bay thee Maker, from my clay to mould me man. Did I solicit thee from darkness to promote me? Although a quotation from Miltons... ...fe-giver. However, it could be argued that Frankenstein is better connected to Prometheus the fire-stealer. Frankensteins experiments with the two knifelike sword of forbidden knowledge had the possibility of bestowing big good upon mankind or perhaps the destruction of humankind.Shelley has utilised both versions of the myth to great effect in the development of the main theme. Her character, Frankenstein, effectively destroyed all he held dear as a consequence of his obsession with the out of bounds of forbidden knowledge.Works CitedGriffith, G. V. 1997 Frankenstein in the Context of the Romantic Era. Retrieved April 2004 from http//www.enotes.comHindle, M. 1994, Mary Shelley Frankenstein Penguin Books, capital of the United KingdomHunter, J. P. (ed.), 1996, Mary Shelley Frankenstein. The 1818 Text, Contexts, Nineteenth-Century Responses, Modern Criticism, W.W. Norton & Company, New YorkNewey, K. 1993, Mary Shelleys Frankenstein Sydney University Press, SydneySchmidt, A. 1999, The Myth of Prometheus, Retrieved April 2004 from http//www.enotes.comOates, J.C. 1984 Frankensteins Fallen Angel, in Critical Inquiry, Vol 10 No.3. Retrieved April 2004 from http//www.enotes.com