Commentary on John Donne's 'The Flea'

On the most basic of trains, Donne?s ?The Flea? can be testify as a witty and persistent contract to net income over a resisting say-so reverer. However, beneath this truthful root word of the poem lie interesting ideas and concepts that go hand-in-hand with what one would turn out from the man whom Samuel Johnson describe as a ?metaphysical? poet. compose at the cusp of the Renaissance, Donne?s rejection of the old Elizabethan inn and conventions is projected through something as simple as the bearing cycle of a untarnished flea. Though writing rough this insect was a in contemporary theme, Donne was unique in his treatment of such a topic, converting ?the flea? from a creature commonly used to convey dirty and jocose descriptions about the effeminate body, to a frontage for a poem with an interesting level of questioning social issues. employ the flea and the woman to whom the speaker is addressing to salute his conflicting views of sexuality, women, morality an d religion, Donne presents the reader with a poem that is not only witty and pleasurable to read, but highly unveil of Donne?s status as a Renaissance poet and the issues with which he was grappling at the time. Revolving near the union of two potential lovers, ?The Flea? could, in theory, be described as a love poem. However, as a poet firmly influenced by the Renaissance, Donne was questioning the really notion of love, rejecting the idealised aestheticism that had been familiar in the Elizabethan courts. Whilst prior poetic tradition rotated around worship of the female through Petrarchan sonnets and flowery imagery, in ?The Flea? Donne refrains from adopting an embellished, mystical approach to the dealing between man and woman, sooner focusing on the exploit of sex itself. ?how little that which molarity deniest me is / me it... If you want to get a full essay, order it on our website: O rderCustomPaper.com

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